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Nobody knows for sure yet. But in the reliefs of the old Hindu-Javanese temples in Java, dating from the 7th and the 8th centuries, one can already recognize some pictures representing gamelan instruments. They are mounted on teakwood frames, which are brightly painted and lavishly decorated with agu leaf.
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The Javanese Gamelan has two tuning scales — the slendro, which is pentatonic 5 tonesand the pelog, which is sangjan 7 tones. A complete gamelan orchestra may contain 75 instruments, 30 players and vocalists.
Gamelan music is polyphonic, and four groups of instruments contribute to the total effect. The conductor does not stand in front of the orchestra with a baton, but conducts by beating the drums kendang with his hands. The rebab a two-stringed violin plays the melody, with variations provided by the suling a bamboo recorder. The saron brass xylophone and the gender xylophone with resonating tubes under the keys play the main theme and add beauty to the melody.
The bonang double row of pots resting on a horizontal frame and gambang wooden xylophone paraphrase the main theme, sometimes syncopating or filling the gaps. The large gong marks the end of a main phrase, while the kenong and the ketuk smaller horizontal gongs mark intermediate divisions of the phrases.
The ensemble consists of Indonesian and Australian players and rehearses weekly from Several distinguished teachers have taught the ensemble. Sponsored by The Sociocultural and Information Division of the Consulate of Indonesia, the ensemble has conducted many performances throughout Western Australia.
Due to its growth, Gamelan Sekar Puri applies two rehearsal times for two different ensembles. The second ensemble that consists of new participants scheduled after the first one. It is turning out to be a valuable instrument to learning about aspects of Indonesian traditional music and culture.
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Bamboo tubes of varying widths are cut sangkam certain lengths so that they make the same note in different octaves, and 2, 3 or sqngkan tubes are secured on a frame. Members of an angklung orchestra hold the angklung in their left hand and shake it with their right when it is their turn to play that particular note. Cooperation and concentration are needed to produce this delightful music.
Conducted by Mrs Martha Budiman, the ensemble rehearses on Thursdays after gamelan session. Many awards has achieved by the ensemble from its performances across Western Australia. At least 21 players needed to play all the three sets Angklung, which was donated by Mrs Mimi Teddy.
Syarat dan Ketentuan Peta Situs.