Documents Similar To liebermann Schnittke, Alfred. Piano Quintet. Uploaded by. leonardrelea · Ginastera, Alberto e – Danzas Argentinas. Liebermann: Gargoyles, Op. 29 [Lowell Liebermann] on *FREE* shipping on qualifying offers. Gargoyles. This is one of Liebermann’s most often performed pieces, and it’s no wonder: of the four, three are brilliant virtuoso show pieces. But so traditional! No. 3 could.

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Gargoyles is a colorful ggargoyles engaging set of four piano pieces resembling concert etudes by one of America’s most promising young composers of its day. He has since gone on to fulfill that promise. He began studying piano at eight and composition at 14, and received his bachelor’s, master’s, and doctoral degrees from the Juilliard School of Music. His composition teachers included David Diamond and Vincent Liiebermann. He wrote this piano set two years after finishing his doctorate.

In the s he went on to write acclaimed symphonies liebrmann concertos for such soloists as flutist James Galway and Stephen Hough. He is among the generation of American composers who left the old twelve-tone system behind and rediscovered the vitality of an extended use of tonality, freely using all the chromatic notes but generally remaining in contact with a sense of tonal center.


As a longtime devotee of art and architecture, Liebermann joins many in being bemused by gargoyles, the representations of fantastic monsters that often embellish churches and other old buildings and are said to have been placed there to scare away evil spirits.

The title “Gargoyles” refers to the general mood of the set — which is eerie and agrgoyles throughout and often scary and threatening — but the individual pieces do not depict any particular real or imagined gargoyles.

The piano style is rather similar to that of Sergey Prokofievalthough the harmonies are a bit more densely chromatic. Altogether the piece runs about ten minutes.

Lowell Liebermann, “Gargoyles” () – Piano Notes

The first movement, Presto, is liegermann devilish work at rapid speed with wide leaps, double notes, and quick, disorienting changes in touch and loudness. The whole effect is unsettled.

The following Adagio semplice, ma con molto rubato, is a very Romantic piece in mood though the harmonies remain more modernwith repeated figures in the bass and a legato melody in octaves. Even more flowing and beautiful is the third movement, Allegro moderato.


Here a melody libeermann embedded in a flowing, wave-like figure that both hands share.

Gargoyles (4) for piano, Op.29

The finale is another movement at a flat-out tempo, Presto feroce. It is ferocious, a taxing and grotesque dance in the venerable Italian tarantella rhythm. AllMusic relies heavily on JavaScript.

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